A terrific Handelian chorus without the usual melismas. The original text has been adjusted in order that the piece may stand on its own. A short keyboard introduction is added to the original.

A terrific Handelian chorus without the usual melismas. The original text has been adjusted in order that the piece may stand on its own. This version is accompanied by a small orchestral ensemble.

His best-selling arrangement, “Noel,” is a communal song of celebration in the Katuba dialect. Noel has been performed by All-State choirs and festival choruses across the country. This is the SATB version; a TTBB version is also available.

His best-selling arrangement, “Noel,” is a communal song of celebration in the Katuba dialect. Noel has been performed by All-State choirs and festival choruses across the country. This is the TTBB version; an SATB version is also available.

Written by Jacob Handl in the Venitian style with antiphonal effects, the piece requires a certain number of TB voices but is not otherwise difficult. A great piece for festival men’s choirs.

This skipping 6/8 Shaker melody is found in historical sources without text. Holmes has provided syllables which may be altered as a choir envisions what kind of event this tune might have enhanced (work song? barn dance?). The playful melody affords opportunities for mild staging with solo ‘characters’. A great novelty piece or encore.

A return to the original text removes this chorus from the oversize-pool of ‘sacred’ Handel choruses. Though the piece has graced many worship settings (with altered text), the original was actually written as an exaltation of the human King Solomon. Melismas are at a minimum though the basses have one extended line to navigate.

Hans Leo Hassler’s triumphant motet is re-voiced, creating a baritone part from what was two equal-voiced tenor lines. Antiphonal presentations of this “Venitian” motet make for an effective concert opening.

From his Early American collection, Brad Holmes minimally arranges this hymn by William Walker with text by Charles Wesley.

The Early American hymn tune, Africa, by William Billings is arranged for mixed chorus divisi. This arrangement was used recently as a processional for the Millikin University Choir.

An Early American hymn found in Southern Harmony. Its vibrant joy has made it a favorite seasonal selection for a broad range of ensembles from church choirs to All State choruses.

This Early American Hymn by Daniel Read is minimally arranged for SATB divsi choir. Bright, Triumphant and straightforward.

“There is in souls a sympathy with sounds” is the text of the dramatic opening. Soaring melodies prevail in this impassioned, lively piece with text by William Cowper. A great concert opener or closer, this is superb for the large choir. Published by Santa Barbara Music Publishing, available through JW Pepper.

Shape note music comes to life with the SATB choir divided into three choirs to lend a dramatic, antiphonal effect to this arrangement.  At times all singers are involved, or only one of the three choirs, or a combination of two. The voicings: Choir I: SSA; Choir 2: SAT; Choir 3: A/T TB. Available from Santa Barbara Music Publishing.

Written for the Norsemen choir from Luther College and performed on the 2012 ACDA  National Conference.  O Sing Jubilee is a festive setting of the tune GUDS MENIGHED, SYNG that may serve both concert or worship.  For the advanced male chorus. Published by Morning Star Music Publishing, available through JW Pepper.